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“It was top of the line for Clifford Robert Olson when it
came to office stationery and business cards. When he ordered, he
ordered nothing but the best; trouble is, he never paid for them.”
-- In his own words.
The B.C. Penitentiary, an imposing granite fortress along the
main thoroughfare between Coquitlam and New Westminster, loomed over
the industrial area of the Fraser River and the Patullo Bridge that
crosses over to Surrey. The system provided a second home for Olson.
When the B.C. Pen was scheduled to be torn down in 1981, the
draconian buildings were opened to the public, simply for curiosity.
In Profile of a Serial Killer – The Clifford Robert Olson Story,
an unpublished manuscript written by Olson, he explained, taking
third person perspective, why he too decided to take a last look:
Olson, in spite of his many years in prison, paid a sentimental
visit to the Old B.C. Penitentiary when it was opened to the public before closing down in 1981. Unfortunately for Olson
this one last look at one of his old homes cost him his freedom.
Olson trooped into the 102-year-old building with thousands of other
sightseers for a prison tour, unaware there was a Canada-wide
warrant out for his arrest. So when he peeked into the cell which
had been his home for several years, he was recognized by one of
these former guards and was quickly arrested by the New Westminster
city police. Olson had last been in the B.C. Pen serving four years
and nine months for a variety of offenses including theft, forgery
and false pretences. His nostalgic return to the Old B.C. Pen cost
Olson another month in the Matsqui before his sentence finally
expired.
He loved to play the system maintaining, “I drive ’em nuts!”
In the words of several of his custodians, they couldn’t agree
more. He demanded constant attention and made life tough for
everyone. He was universally loathed but somehow managed to survive.
Some of the law officers at Matsqui Institution characterized him as
a con man, not as a killer. “He was seen as a thief, a false-pretense
artist, a garrulous, extroverted, egotistical kind of person, but
not as a sexual offender,” said a former parole worker.
Olson was adept at playing the con game, knowing his way through
the system. For many years, Olson reveled in petty crime. Initially,
his record showed him to be a thief and fraud artist. His early
years, 1957 to 1974, from the time he was an adolescent, were riddled
with break-ins, escapes, and robberies. But, it did not stop there.
Olson’s deviant sexual side was also developing.
Olson started exhibiting more violent behavior in and out of the
penitentiary. While in B.C. Pen in 1974, he repeatedly and
persistently sexually attacked a 17-year-old fellow inmate. And in
1978, while on the outside, he indecently assaulted a seven-year-old
girl in Sydney, Nova Scotia. When he actually began his murderous
rampage, he was on bail for sex and firearms charges with pending
child abuse charges in Nova Scotia, although the warrant could not
be enforced outside of the province.
Back in prison once again in 1978, a deviant sexual side started
to show while serving a two-year sentence for fraud, possession of
stolen property, and possession of housebreaking instruments. The
Olson Murders mention his reputation while incarcerated:
“During those seven years Olson’s prison style changed. To
some he was known as ‘Bobo,’ a man who viciously ‘muscled’
or buggered young inmates. To others he became knows as ‘The
Senator.’ This was because he honed his cell-room lawyer’s
skills, by writing incessantly to both federal and provincial
politicians with a barrage of complaints about prison conditions.
He was also a `stoolie’, a person who would inform on anyone for
any reason. This trait made him unpopular with both inmates and
guards and he eventually needed protective custody.”
Olson was moved to the Super Maximum Unit (SMU), commonly known as
the Penthouse, the “rat and rapo” unit, where
the most despised cons were housed. It was here that he met accused
child-killer Gary Francis Marcoux.
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