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“I had sexually assaulted 100 children before
killing them,” read the first placard. “All the details of the murders
are contained in the diary and the 32-page notebook that have been
placed in the room and had also been sent to the authorities. This is
my confessional statement.”
By the time reporters from the Urdu-language
daily newspaper received Javed’s grisly confession, a copy of it had
already been delivered to the police. But in what social commentators
in Pakistan have called a stinging indictment of the nation’s
antiquated public safety system, a system that has changed little
since it was adopted nearly a century ago from the departing British
colonialists, the letter was simply discarded.
In fact, according to published accounts, it was
only after police learned that the media were on their way to Javed’s
house that the crumpled confession was retrieved from a wastepaper
basket and police were dispatched to the scene.
Reporters were already there, stunned into
silence by what they found. There were bloodstains on the walls and
floor. Some were bloody handprints. There was the chain. And there
were pictures, scores of them, a gallery of victims, some as young as
9, their photos snapped moments before their deaths. In one corner,
five plastic bags contained shoes, 85 pairs of them, and children’s
clothing. There were tokens of impoverished childhoods cut
horrifically short. Ijaz’ white shirt was in one of the bags. So was
his ankle bracelet.
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| Javed Iqbal
after surrender to police (Dawn) |
As if the house had been turned into a museum to
Javed’s savagery, signs were neatly tacked to the wall near each item.
Near the foaming vat of acid that contained the bobbing remains of
Ijaz and the other boy was one card – written, experts would later
confirm, in Javed’s hand -- that read: “The bodies in the house have
deliberately not been disposed of so that authorities will find them.” |