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"All art is quite useless."
-- Oscar Wilde
In the fall of 1897, 53-year-old Adam Worth walked out of Louvain
Prison, his release effected early for good behavior. He returned to
London to host a crime. This time, not for wealth, but to cleanse
himself of all other sins.
Renting a small room at Number 66 Picadilly (walking distance
from his former grand bachelor apartment), he wasted no time in
breaking into Smith & Company, Ltd., diamond merchants, directly
across the street. It had been a neat job, police noted; the robber
showed himself a man of experience in breaking difficult locks and
in selection of gems. He knew what to take, £4,000 worth. Suddenly,
Worth had what he needed, money for passage to America and money to
finance the beginning of a great plan of retribution, if not a
rousing final chapter in the saga of a master thief.
Before he left for the states, he visited his wife in the mad
house. Indeed, she was a shell of herself. She did not recognize her
husband. If she made a sound at all, it was a whimper. The
experience was so harrowing, says biographer Ben Macintyre,
"that it caused Worth to break a lifelong habit of
sobriety." Pulling himself together, he vowed ever the more to
atone to her through the support of their children.
Once in America, he immediately called on his brother John,
re-introduced himself to his children, Harry and Constance, hugged
them, and promised to take them back with him to London, But first,
he explained, he needed to look up two old friends who could help
make the Worth reunion possible. If his brother and sister-in-law
seemed to regard his visit with skepticism and his promise as the
utterance of a senile ex-convict, they would soon learn that he was
saner and more honest than ever.
The two friends he needed to visit were in America. One had been
waiting a long time for his return in a
New York warehouse; she was the duchess. The other was a detective
who now made his central office in Chicago; his name was William
Pinkerton.
Bringing the lady west, he checked in at McCoy's Hotel, tidied
himself, then called on the Eye himself
who, when told an Adam Worth was waiting to see him in his outer
office must have paled.
"I come to thank you for what you have done," said the
repentant man when Pinkerton closed the door behind them. Worth had
grayed and had grown paunchier, noted the lawman, but detected that
old familiar twinkle in his eyes, even behind the heartfelt and
sincere speech he offered. Worth continued, choking back tears.
"I understand you ignored Belgium's call for information on me,
sir. With your influence you could have sent me up the river for
life. You didn't, and I am forever grateful. I wish to proffer a
token of gratitude."
Pinkerton cancelled all other business for the day; he and his
old nemesis talked deep into the night; they reminisced the days
gone by, the chase, the good years, the bad years. And they admitted
they had both grown older, but wiser. Worth spoke of his family and
of his dream for a second chance to be the father he never was. That
led to the "token of gratitude" to which Worth had earlier
referred.
He admitted to possessing the Gainsborough, which he now wanted
to give back to Agnew & Sons in London. "Sir, I want you to
be the man who solved the case of the missing duchess," he
asserted. "The man who recovered the greatest masterpiece in
the history of art."
His offer was intriguing. He would return the painting to its
rightful owner if Pinkerton would: 1)
act as negotiator between Agnew's in London and an intermediary of
Worth's choice who would name a price; 2) suggest to Agnew's and
Scotland Yard that the original perpetrator of the theft had long
since died; 3) slate a place of exchange in America; and 4) promise
immunity from prosecution to Worth and his intermediary.
He asked Pinkerton not to bend his principles in fulfilling this
role, but, in reality, that was exactly what Pinkerton would need to
do if he accepted the part in the melodrama.
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Patrick Sheedy helped close the deal on the
Gainsborough (Ben Macintyre)
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Pinkerton knew that Scotland Yard would never fall for the story
that Adam Worth was dead; he was correct; they didn't. Nor did
Agnew's. For that matter, Worth knew they wouldn't, but he banked on
the assumption that all three entities - Pinkerton, the Yard and
Agnew - would realize that compromises are sometimes the best paths
for the betterment of mankind. It was an order of balance, tried and
true. Everyone would benefit. Pinkerton would emerge a hero.
Scotland Yard could close its books. Agnew's would have what was
rightfully theirs. The world would have a Gainsborough. And Adam
Worth's bank account would be revived. The parties silently accepted
the bargain, conceding in their silence that Adam Worth had pulled
off one of the greatest coups of the century. |
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Negotiations began. Acting as emissary between all principles was
Worth's hand-picked man, Patrick Sheedy, an international gambler,
sportsman and adventurer who made and broke deals across the globe;
he was glib, erudite and a gentleman fist-class who knew the
business of business.
Haggling done, Scotland Yard reported to Pinkerton in January,
1901, that Agnew agreed to pay the sum quoted by Sheedy -- $25,000 -
only if one of the art dealer's heirs had an opportunity to appraise
it as the genuine article. Sheedy agreed and Pinkerton arranged for
the agent, C. Moreland Agnew, to come to the Auditorium Hotel in
Chicago where the deal would be transacted. On March 28, Mr. Agnew
arrived, a check safely tucked away in the lining of his attaché.
Pinkerton greeted him and led him to a private suite where they
waited for the delivery.
Agnew's diary describes what happened next. "The few minutes
we spent behind that closed door were just a trifle
nerve-shattering. I can assure you, I smoked a cigar to help the
time along...By and by, there came a knock at the door. 'Come in,'
said Mr. Pinkerton, and the door opened on the instant. An adult
messenger was standing in the doorway, carrying a brown paper roll
in his arm. 'Mr. Agnew?' he queried. 'Yes," I answered, and
held out my hand...I took out my knife, cut the string with which
the paper was tied and there, lightly wrapped in cotton-wool, lay
the long-lost Gainsborough. Two minutes sufficed to convinced me
that it was the Duchess."
Adam Worth - the "adult messenger" -- left the room,
stuffing Agnew's check into his billfold. Descending the marble
steps to the foyer, one step at a time, moving in staccato, his mind
was a juxtaposition of thoughts, but moreover he was content. He had
recently heard that both "Baron" Shinburn and Johnny
Curtin, the two men who had played havoc with his fate, had been
arrested for unrelated crimes and would probably spend the rest of
their lives in prison. And he thought of the Eye, who had turned out
to be a human being after all. He thought of a hundred different
things, but his mind kept reverting to the day he first laid eyes on
the duchess, how he had fallen madly in love with her. But, now, he
mused, he didn't miss her at all. Had he merely wanted to possess
her? Or was it a simple case of greed that - let's face it - paid
off in the end?
He missed Kitty Flynn. And more than her, he missed his wife. Had
they both succumbed as punishment for his sins? God doesn't work
that way, he shook his head. Or else he would not have this chance
to renew himself with his children. The one and only obsession that
would carry him through to eternity.
Melting into the crowds of Chicago, strolling towards the train
station, he finally had the world in his pockets.
* * * * *
Adam Worth died less than a year later, on January 8, 1902. He is
buried in Highgate Cemetery, London, the register of his burial
reading, "Henry J. Raymond, Esquire."
Before he died, he made his one final dream come true. Harry
Raymond, Jr. and Constance returned with him to England, where they
moved as a family into a large, commodious home at Number 2 Park
Village East, Camden, London. He paid cash for the house from the
profits derived from his sale of the duchess. They attended a fine
school and were given what their father thought children should be
given to be happy and content. More than the presents, the pets, the
suits and dresses, they received his love. And they returned it. If
they had known of their father's past, it was never discussed. At
least, says Ben Macintyre, "they had the generosity to grant
him this one last delusion and disguise."
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Sherlock Holmes' arch-enemy, Professor Moriarty,
based on Worth, although exaggeratedly (Illustration by Sidney
Paget/Strand Magazine)
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Young Harry, 15 when his father passed, grew quickly into
manhood. At that young age, he made arrangements for the funeral,
handled all solicitations and transactions and, from the sale of the
home and its furniture, bought passage for him and his 10-year-old
sister back to America, then put the rest aside to live on until he
procured a job in New York. Under his care, Constance remained well
fed and clothed. The boy seemed to possess all of his father's best
traits, ambition, independence and brilliance.
The first thing that William Pinkerton did when learning of
Worth's death was to seek out the kids and help provide for their
well-being. Pretending that he had just apprehended a man who owed
their father $700 from a business deal years ago, sent a check in
that amount to Harry and Constance. And he found Harry a job that
paid much better than the four dollars a week he was making at a
local foundry.
Harry Raymond, Jr., the son of Adam Worth, became a Pinkerton
agent.
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