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In 1912 when Becker went on trial, New York City was engulfed by
the great tide of immigrants that had swept over the eastern shores
of America. From distant, oppressed lands they poured into this
dream of a country where it was whispered that men could live free
and the streets were paved with gold. Hundreds of thousands of
refugees crammed into Manhattan tenements, bringing their own
language, customs and traditions. In the process they changed
forever the very society they longed to join.
But not even a city as big as New York could absorb this tidal
wave of people into its work force. Many immigrants were forced to
take the most menial jobs for the lowest pay. In doing so, they gave
birth to two new socio-economic classes: the working poor and the
unemployed. Street gangs began to appear among the vast tenements on
the Lower East Side of Manhattan. They were made up of local thugs
and street toughs who came to exert their influence far beyond their
own neighborhoods. They were the forerunners of organized crime
families that would dominate the city in the decades to come.
Crime in the streets was only one side of the coin. The notorious
Tammany Hall era was the other, and it was in full swing. Political
corruption was not only tolerated, it had become a part of the
fabric of New York life, especially in The Tenderloin District. Like
the cut of beef, The Tenderloin was supposed to be the best part of
Manhattan. It had glittering lights, theatres, saloons, dance halls,
famous restaurants, hotels, newly erected skyscrapers and gambling
casinos. Its narrow streets were clogged with a strange mixture of
horse-drawn carts and smoky, motor-driven carriages.
The Tenderloin, the area now known as Times Square, which is
centered at 42nd Street and Broadway, had hundreds of gambling
casinos and was under siege by a virtual army of prostitutes. Some
estimates put the number of streetwalkers as high as 30,000. Since
prostitution and gambling were illegal, it was common practice for
pimps and casino owners to seek protection from prosecution by
paying off the Police Department. The police, in turn, colluded
openly with politicians at City Hall. The casino owners who refused
to pay were promptly raided and put out of business. Public
corruption was nothing new to New York. It had been going on for
decades, interrupted now and then when an outraged citizenry called
for reform. Under Tammany Hall, though, corruption reached its apex.
From the lowly cop on the street to the highest echelons of City
Hall itself, money talked. No city permit could be secured, no
building could start and no business could open unless the right
person received his payoff. Graft permeated every level of the
bureaucratic structure. And at its foundation was the New York City
Police Department, rotten to its core.
Into this jungle of graft, Charles Becker entered center stage.
Originally from Sullivan County in upstate New York, he grew tired
of country life and moved to the big city in 1888. Tall and
handsome, Becker was a powerfully built man with huge shoulders. He
got his first job as a bartender on the Bowery, but soon graduated
to bouncer, earning a reputation as a fearsome fighter. There Becker
made his first contact with the underworld when he met Monk Eastman,
a deranged killer who ruled a vicious gang of murderers and outlaws.
Monk’s trademark was a sawed-off baseball bat that he used on
the skulls of his adversaries. Through this friendship, Becker met
other criminals, including several politicians. One of these was Big
Tim Sullivan, a state senator, who was regarded as the King of the
Tenderloin and the overseer of all graft and bribery in Manhattan.
Sullivan took a liking to Becker, and in 1893, arranged for
Becker’s entry into the Police Department.
As a police officer, Becker had a checkered career; several times
he was investigated and brought to departmental trials on charges of
brutality and false arrest. In 1896 he mistakenly shot and killed an
innocent bystander while chasing a burglar. To make matters worse,
Becker attempted to cover up the blunder by trying to pass off the
dead man as a known burglar. He was suspended for 30 days. In 1898,
Becker jumped into the Hudson River to rescue a drowning man. The
newspapers declared him a hero and for a week he basked in glory.
But then the man suddenly came forward and said that Becker had
promised to pay him $15 to jump in the river just so Becker could
play the hero. Again he was the subject of controversy. The Police
Department transferred him to the 16th Precinct, The Tenderloin,
plunging him into the depths of the corruption cesspool.
At the 16th in January 1907, Commissioner Theodore Bingham
promoted Becker to sergeant, a reward for assisting the commissioner
in an earlier investigation. Becker welcomed the opportunity. It led
shortly to his becoming the bagman for the precinct captain.
Becker’s cut was 10 percent of the take. In the first year he made
$8,000. While at the 16th he also met Helen Lynch, a Manhattan
schoolteacher he would soon marry.
Then in 1910, Police Commissioner Rhinelander Waldo, a 35-year-old
ex-Army man, formed special squads to break up the street gangs that
ruled Lower Manhattan. Becker was made commander of one of those
teams. Satisfied with their performance, Waldo expanded their duties
to include crackdowns of the West Side gambling dens. Instead,
Becker used his squad as a rough-and-tumble strike force to shake
down the casino owners. Becker’s power quickly grew; casino owners
cringed at the mere mention of his name. For those who defied him,
revenge was swift, and often final.
Soon the operation became too big for Becker to handle alone. He
hired Big Jack Zelig, a known murderer who took over part of the
Monk Eastman gang after unknown killers gunned down Eastman outside
a Manhattan bar. Zelig used his boys to make the collection rounds.
One of them was Harry “Gyp the Blood” Horowitz. His specialty
was to place the recalcitrant in his lap and break the man’s back,
a lesson he often put on display in East Side saloons. Gyp the Blood
frequented these clubs with his sidekicks, Lefty Louie, Dago Frank
and Whitey Lewis. Together they had little trouble enforcing
Becker’s rules over the Broadway gambling dens.
Becker’s undoing was set in motion in the summer of 1912 when a
low-level gambler named Hertman “Beansie” Rosenthal was given
permission by State Sen. Big Tim Sullivan to open a new casino at
104 W. 45th St named the Hesper Club. On opening night, Becker
called on Rosenthal to lay down the groundwork for future payoffs.
Rosenthal balked, telling Becker that this was Big Tim Sullivan’s
territory and no payments would be made to Zelig’s men. Becker
relented for a while. But when Sullivan became gravely ill and
unable to run the show any longer, Becker swiftly reasserted
himself. Rosenthal still refused to pay. Becker then sent Bald Jack
Rose, a well-known gangster, who had already killed several men, to
station himself inside the club and skim off 20 percent of the
casino’s take. Instead of cowering to Bald Jack Rose, as Becker
had assumed, Rosenthal began to complain loudly to Tammany Hall
politicians, saying he would not stand for such shoddy treatment at
the hands of a renegade cop.
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| Charles Whitman |
Meanwhile, Becker was receiving pressure from Police Commissioner
Waldo to raid The Hesper. Waldo had received many complaints about
the club and wondered how it stayed in business without Becker being
aware of it. Finally, Becker struck. He raided the club and shut it
down. To add insult to injury, he assigned a uniform cop inside the
Hesper day and night to see that it remained closed. Rosenthal was
insane with rage. He paid a visit to District Attorney Charles
Whitman, an ambitious lawyer who had political aspirations beyond
his current office. Of Whitman, Supreme Court Justice Felix
Frankfurter would later write: “He was a politically minded
district attorney, one of the great curses of America.”
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On the night of July 15, 1912, Rosenthal went to the District
Attorney’s office to meet with Whitman. Whitman was elated that an
underworld figure had at last come forward. He knew what Rosenthal
was telling him about Becker was political dynamite. Whitman
told Rosenthal he would convene a Grand Jury to hear the case. After
meeting with Whitman, Rosenthal left the Criminal Courts building at
11 p.m. and headed to the Cafe Metropole on W. 43rd St, a local
hangout for gamblers. News of Rosenthal’s meeting with the D.A.
had already spread throughout the Tenderloin. Newspaper in hand,
Rosenthal walked into the Metropole, took a seat alone in the back
of the room and began to read. There was an eerie silence; no one
would talk to Rosenthal. A few minutes before 2 a.m., a waiter
approached him.
“There’s someone in front to see you, Beansie,” he said.
Rosenthal folded his paper, arose from his seat and walked to the
front door. In the dimly lit street, he saw several men lurking in
the shadows to his left.
“Over here Beansie!” one of them said. As he moved closer,
four quick shots rang out. Rosenthal collapsed to the sidewalk. One
of the killers strolled over to the body, aimed a pistol at
Rosenthal’s head and fired one shot into it. The gunmen then raced
across the street to the getaway car, jumped in and roared off down
43rd Street.
Several police walking a beat nearby heard the shots and began
running toward the scene from Broadway. The Metropole emptied out
and a large crowd began to form around the body. Within minutes,
news of the shooting swept through The Tenderloin. Thousands
converged on the scene. Reporters from every newspaper were
dispatched. Meanwhile, the killers escaped down 6th Avenue even
though police had commandeered a passing auto and had given chase.
The next day Whitman complained that the police had made a
“pretense” of pursuing the murderers, a charge The New York
Times gave full play the following morning in bold-type headlines on
its front page: “Whitman Points to the Police!” and “Insists
It isn’t Gambler’s Work!” Two weeks later, The Nation said:
“The police with all their detective resources were unable or
unwilling to run down the criminals concerned in this astounding
assassination.”
Since it was common knowledge that Rosenthal was ratting on Lt.
Becker to the D.A. just hours before he was murdered, it was
generally and widely assumed that Becker was the killer.
Conveniently for Becker, however, he was home in bed at the time of
the shooting, and alibi that was later corroborated by a
newspaperman who said he had telephoned Becker’s home shortly
after the murder and had spoken with Becker about the murder.
During his own investigation, Whitman found that several
witnesses had noticed the license number of the getaway car. It was
traced to Boulevard Taxi Service at 2nd Avenue and 10th Street.
Records there showed the car had been leased to Bald Jack Rose,
Becker’s collection man. The actual driver was William Shapiro, a
small-time hood with minor connections to The Tenderloin underworld.
Whitman also discovered that Bridgey Webber and Harry Vallon, former
opium dealers from Chinatown, were seen hanging around the Metropole
a few minutes before the shooting and that it was Vallon who sent
the message inside the bar for Rosenthal. Based on this information,
Webber and Vallon were arrested.
Two days after being implicated in the killing, Bald Jack Rose
surrendered to the D.A. Through Rose, Whitman found out where
Shapiro was hiding. When he was jailed, Shapiro denied any
complicity in the killing. Whitman had to act fast. He knew the
Police Department would sabotage the investigation to protect one of
its own, particularly a powerful lieutenant such as Becker. In
exchange for information, he gave Rose, Webber, Vallon and Shapiro
immunity. Shapiro then confessed. He admitted that he drove the
Packard that carried the killers to the Metropole. He identified the
men in the car with him as Louis “Lefty” Rosenberg, Frank
“Dago Frank” Cirofici, Jacob “Whitey Lewis” Seidenschmer and
Harry “Gyp the Blood” Horowitz. All were rounded up by the
police and thrown into The Tombs, Manhattan’s most dreadful
prison. Vallon, Webber and Rose were locked up together in a
separate part of The Tombs, a circumstance that allowed the three to
develop one, rock-solid story. Whatever hopes Whitman had, if indeed
he had any, of uncovering the truth were destroyed by this one
decision.
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| Drawing of The Tombs |
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